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Anna Heringer’s Anandaloy was the most significant building of 2020

January 26, 2025
in Architecture
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We proceed our Twenty first-Century Structure: 25 Years 25 Buildings collection with the Anandaloy centre in Bangladesh by Studio Anna Heringer, a pioneering venture for the revival of mud building in up to date structure.

Housing each a disabilities centre and a textile studio, Anandaloy, which means “place of nice pleasure”, grew to become the second winner of the Obel Award the identical 12 months it opened.

The venture was considered one of a number of socially engaged tasks by German architect Heringer within the village of Rudrapur for the NGO Dipshikha, by way of which she sought to exhibit her imaginative and prescient of structure as a “software to enhance lives”.

The Anandaloy Centre was essentially the most vital constructing of 2020

Central to this imaginative and prescient was not merely the makes use of of those buildings but in addition the usage of native labour and supplies of their building – most significantly mud, which varieties the natural, cave-like interiors of Anandaloy.

This historical materials is one that each one of Heringer’s work has sought to put alongside trendy building strategies, demonstrating its environmental and design advantages not simply in settings the place it has historically been used, however worldwide.

“Mud is considered a poor and old school materials and inferior to brick, for instance,” mentioned the studio. “However to us, it would not matter how outdated the fabric is, it’s a matter of our artistic means to make use of it in a recent means.”

In an interview with RIBA Journal, Heringer known as mud the “lacking hyperlink that results in social justice”, including that “no different trendy building materials has its scope or chance”.

Studio Anna Heringer by Studio Anna Heringer
The 2-storey constructing was constructed kind mud and bamboo

Appointed honorary professor of the UNESCO Chair of Earthen Structure, Constructing Cultures, and Sustainable Growth in 2010, Heringer has, together with fellow mud pioneer and educating accomplice Martin Rauch, been a key determine within the world rise of rammed-earth building.

Writing in The Architectural Assessment, Jean Dethier termed their works because the “decisive contributions of a brand new era of builders,” which have since seen rammed earth celebrated and utilised as a low-carbon materials worldwide.

It’s a development that has left some skeptical. Whereas Heringer doesn’t use stabilising components in her personal work, the inclusion of cement in lots of buildings touted as rammed earth dangers undermining the fabric’s sustainability credentials.

Anandaloy: Centre for People with disabilities + Dipdii Textiles studio by Studio Anna Heringer
The constructing is surrounded by verandahs

Heringer’s relationship with Bangladesh started when she spent a 12 months volunteering for Dipshikha, an NGO which focuses on rural growth that may later turn into the shopper for Anandaloy, aged 19.

“Making a tent, kitchen, bathroom, furnishings; the thought of making a small village in a few weeks and leaving no hint on the finish of it was one thing that formed me,” she informed the RIBA Journal. “It was my first urbanism.”

Shigeru Ban's Cardboard Cathedral

Shigeru Ban’s Cardboard Cathedral was essentially the most vital constructing of 2013

Heringer returned to Europe to check structure on the College of Arts and Industrial Design in Linz, and it was her graduate thesis that grew into her first constructing within the area – the 2006 METI Faculty, which obtained each the Aga Khan Award and The Architectural Assessment’s Rising Structure Award.

Regardless of initially requesting a brick faculty extension, Heringer efficiently argued for the usage of mud and bamboo, and concerned the group within the faculty’s building, setting a precedent for all her works within the space that may comply with.

Anandaloy: Centre for People with disabilities + Dipdii Textiles studio by Studio Anna Heringer
A textiles studio is contained throughout the constructing

Anandaloy was in a position to construct upon the teachings of those earlier tasks not solely by way of its building strategies, but in addition the individuals who constructed it, with the skilled-up area people in a position to hand down their data to a brand new era.

“The reality is that after you turn into used to constructing like this, every part else turns into utterly unnatural,” Heringer informed Nripal Adhikary in an interview in The Architectural Assessment.

“When you will have leftovers, for instance, with clay, you simply put them again within the floor and don’t worry about it,” she mentioned.

“Any materials that can’t be picked up along with your naked fingers, which may require gloves, feels bizarre. As do the waste and poisonous smells.”

Studio Anna Heringer by Studio Anna Heringer
Anandaloy’s partitions have been manufactured from cob

Initially, the two-storey Anandaloy constructing was to be solely a incapacity centre, however the determination was later made to combine a studio house for Dipdii Textiles, a ladies’s cooperative which Heringer based alongside Dipshikha and Veronika Lang.

The thick partitions of the constructing have been created utilizing an historical method generally known as cob, with native earth, straw, sand and water kneaded like dough and shaped into partitions atop fired-brick foundations.

This system avoids the necessity to use formwork, decreasing the required supplies but in addition making the work far much less specialised, with the method subsequently simpler for the area people to take part in.

Elemental’s Quinta Monroy housing was essentially the most vital constructing of 2004

Formally, it additionally meant that curves have been simpler to create, embraced within the rounded ends of the constructing and a first-floor entry ramp that wraps the centre’s sides – an unfamiliar web site within the village that Heringer felt was essential to incorporate as a “image of inclusion”.

Inside, the incapacity centre combines extra typical areas, with cave-like tunnels and rooms serving as areas for rest and solitude, whereas the textile studio, workplace and storage occupies the primary ground.

“Anandaloy doesn’t comply with a easy rectangular format,” Heringer informed Dezeen in 2020. “Relatively, the constructing is dancing, and dancing with it’s the ramp that follows it round.”

“What I need to transmit with this constructing is that there’s a lot of magnificence in not following the everyday normal sample,” she defined.

Bamboo sourced from a close-by forest frames a verandah across the centre’s floor ground, whereas above bamboo screens present shelter to an upper-level walkway.

Anandaloy: Centre for People with disabilities + Dipdii Textiles studio by Studio Anna Heringer
Cave-like areas have been created with the mud

It was the “multi-layered” pursuit of social beliefs all through Anandaloy’s course of, construction and programme that satisfied the Obel Award judges, and demonstrated a dedication to the complete life-cycle of a constructing that continues to set a strong precedent.

“The Anandaloy constructing is just not solely a spatial resolution to quite a lot of each primary and particular human wants, the venture as an entire is a multi-layered response to the problem of mending by cleverly interweaving sustainable, social, and architectural design,” the jury commented.

Extra lately, these classes have been introduced nearer to house in an ongoing venture for 2 rammed-earth buildings for the Campus St.Michael in Traunstein, Germany, however for Heringer, the ambition stays considerably bigger – a rammed-earth skyscraper in Manhattan.

Did we get it proper? Was the Anandaloy Constructing by Anna Heringer essentially the most vital constructing accomplished in 2020? Tell us within the feedback. We shall be operating a ballot as soon as all 25 buildings are revealed to find out essentially the most vital constructing of the Twenty first century to this point.

This text is a part of Dezeen’s Twenty first-Century Structure: 25 Years 25 Buildings collection, which appears on the most important structure of the Twenty first century to this point. For the collection, now we have chosen essentially the most influential constructing from every of the primary 25 years of the century.

The illustration is by Jack Bedfordand the pictures is by Kurt Hoerbs.

Twenty first Century Structure: 25 Years 25 Buildings

2000: Tate Trendy by Herzog & de Meuron2001: Gando Major Faculty by Diébédo Francis Kéré2002: Bergisel Ski Leap by Zaha Hadid2003: Walt Disney Live performance Corridor by Frank Gehry2004: Quinta Monroy by Elemental2005: Moriyama Home by Ryue Nishizawa2006: Madrid-Barajas airport by RSHP and Estudio Lamela2007: Oslo Opera Home by Snøhetta2008: Museum of Islamic Artwork by I M Pei2009: Murray Grove by Waugh Thistleton Architects2010: Burj Khalifa by SOM2011: Nationwide September 11 Memorial by Handel Architects2012: CCTV Headquarters by OMA2013: Cardboard Cathedral by Shigeru Ban2014: Bosco Verticale by Stefano Boeri2015: UTEC Lima campus by Grafton Architects2016: Transformation of 530 Dwellings by Lacaton & Vassal, Frédéric Druot and Christophe Hutin2017: Apple Park by Foster + Partners2018: Amager Bakke by BIG2019: Goldsmith Road by Mikhail Riches with Cathy Hawley2020: Anandaloy by Anna Heringer

This record shall be up to date because the collection progresses.



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