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The building as a teacher

June 20, 2025
in Architecture
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I bear in mind when the Residing Pā, now referred to as Ngā Mokopuna, was a twinkle in Professor Rawinia Higgins’ eye. On the time, I used to be working at Te Herenga Waka (Victoria College of Wellington), the place there was a powerful want amongst the whānau to create a second house on campus — one that will practicably help a way of belonging, past the rabbit warren of workplaces and school rooms which characterised the 5 villas that made up the earlier marae and Māori research precinct. I used to be a pupil in these villas within the ’90s and the irony of ‘issues Māori’ being contained inside these colonial bins was not misplaced on many. It appeared time to create significant area that celebrated ‘all issues Māori’.

The Hononga area is on the entrance of Ngā Mokopuna.  Picture: 

Jason Mann

The location is a difficult one — a good city website, 5m larger at one finish than on the different, surrounded by street and tall buildings and needing, in some way, to answer and make sure the mana of Te Tumu Herenga Waka, the present wharenui, is upheld and celebrated.The response is, on first glimpse, a seemingly easy rectangular kind that folds down the hill, assembly on the stage of the mahau (the porch) of the wharenui to create a big, stage ground plate. This stage extends out to the marae ātea (the open space in entrance of the wharenui), creating area capable of cater to manuhiri teams, massive and small, and hau kāinga (native individuals) alike. 

I say seemingly easy as this ‘dwelling’ field packs a programme and utility inside, outdoors, beneath and on high within the quest to satisfy the requirements set out within the seven petals of the Residing Constructing Problem (LBC).1 These are:

1. Place: Restoring a wholesome interrelationship with nature2. Water: Creating developments that function throughout the water steadiness of a given place and climate3. Power: Relying solely on present photo voltaic income4. Well being + Happiness: Creating environments that optimise bodily and psychological well being and well-being5. Supplies: Endorsing merchandise which can be protected for all species by way of time6. Fairness: Supporting a simply and equitable world7. Magnificence: Celebrating design that uplifts the human spirit. 

Residing Constructing Problem and Te Ao Māori

In our stroll by way of Ngā Mokopuna, Rhonda Thomson, one of many co-leads together with Lincoln North, the project-management powerhouse, talks to the truth that, while the LBC has been used as a framework to information the mission, the explanation that it really works right here and, probably, why Māori have been voracious in taking on the LBC strategy (e.g. see Te Kura Whare, Ngāi Tūhoe, and Pā Reo, Te Wānanga o Raukawa) is that the petals can align nicely sufficient with a te ao Māori method of seeing the world. She displays that: “It’s all of the richer when we’ve got this parallel and twin narrative.” Kaitiakitanga compels us to “stay nicely throughout the envelope of Ranginui and Papatūānuku” and, while the sustainability options are necessary, “the whakapapa of this place is key to the design response”. One would possibly argue that the ‘Place’ petal infers a consideration of context, although express reference to tradition just isn’t a characteristic of the LBC framework. However, Rhonda says, there’s sufficient within the LBC framework that aligns with Māori values to have it’s a helpful guiding device. It additionally “permits us to be 10 years forward of the place we might be if we didn’t have it because the internationally accepted pinnacle of regenerative constructing design.”

The entry to Ngā Mokopuna is on Kelburn Parade. Picture: 

Andy Spain

Why this tradition angle issues, although, is among the speaking factors all through the mission – how finest to uphold tikanga within the constructing and/or whether or not or not kawa and tikanga wanted to vary to answer website constraints and, arguably, altering manifestations of kaitiakitanga. Rhonda and the design workforce recall a seminal wānanga, which included te whānau o Te Herenga Waka, exterior supporters, mana whenua and the design workforce very early on, the place tikanga tensions had been delivered to the fore. The dialogue targeted on the proposition that used water (paru, mate and tapu water) may very well be recycled, purified or elevated, and used once more. Marae Operational Supervisor Tu Temara’s seminal remarks broke open the dialog when he acknowledged that “the connection between wai and the whenua is that one relies on the opposite” and went on to discover the transformational qualities of wai. This catalysed an in-depth dialogue the place Kara Puketapu-Dentice (mana whenua) initiated the writing of a tauparapara — to create a whakapapa line to information the continuing design with an underlying settlement that tikanga could evolve over time to help the constructing’s up to date kaitiakitanga function.

The significance of wai

I ought to add that consuming water is presently solely collected rainwater. Nonetheless, the wai wānanga precept, to adapt and alter to make sure the underlying kaitiaki function is maintained, was nonetheless an necessary turning level for the mission. 

Wai, and the flexibility to be fully self-contained with respect to water, is central to the constructing’s design. The LBC dictates that the positioning hydrology situations needs to be returned to the best way the positioning was previous to human habitation. Water, together with consuming water, is collected by way of the roof. Its environment friendly use is inspired by way of vacuum bogs, like those on aeroplanes, and among the gray water is distributed to elevated subsurface wetlands to water the vegetation and evaporates into the air and the spare water from that goes to flush the wharepaku. The rest of all water flows is distributed to a black-water remedy plant by way of a sophisticated filtering system. 5 massive water tanks sit beneath the deck holding potable (consuming) and non-potable (irrigation) water.

The rill holds the daylit Kumutoto Stream.  Picture: 

Andy Spain

Subsurface drains within the marae ātea accumulate drainage water and floor water from paving is collected and flows to a newly created rill, daylighting the Kumutoto Stream and paying homage to the truth that the marae sits at its headwaters.

The Residing Pā as a dwelling lab 

The constructing goals to show and be taught. On our stroll round, Rhonda pays homage to Te Tumu Herenga Waka, the wharenui, because the blueprint dwelling lab noting “Tā Hirini Moko Mead conceived the wharenui for Māori college students and employees as equal to the science labs for scientists. It’s a spot the place the individuals in our group, with their many disciplinary backgrounds, can come to discover mātauranga Māori and deeper information.” Ngā Mokopuna works to parallel this, permitting college students to be taught from the delicate, to not point out lovely, joint answer that responds to seismic occasions, to the brewery-lookalike water remedy plant and to the chrome steel cables hung by gravity to help the vines that may supply a comfortable, western gentle for constructing inhabitants. 

The constructing’s atrium, centred round open educating and gathering areas, “accepts and celebrates the sound of speaking, the sound of karakia going by way of the whare”, in line with the architects, permitting for each an overt studying alternative but additionally a “area that feels heat and lived in” the Head of Te Kawa a Maui, Mike Ross, tells me. He goes on to say, “We just lately had assessments the place college students had been studying Te Herenga Waka waiata Kāore taku raru — the sound of scholars singing wafted by way of the constructing as we labored, had employees conferences, throughout morning tea. I liked it.”

If I had been to have one quibble — a reviewer’s prerogative — I might have liked to have been capable of see much more of the technical stuff on present for individuals to be taught from — assume Centre Georges Pompidou in Paris. Maybe this was not attainable due to website dimension constraints or an aversion to seeing wastewater churned however I can’t assist considering that to have taken ‘the constructing as a instructor’ to the nth diploma, given its function as kīnaki (the relish) to the wharenui, might need supplied a good sweeter waiata tautoko (supporting tune).

Purposeful toi

I don’t assume anybody may stroll away from this constructing with out acknowledging the tau feeling (tau that means magnificence, class and to be settled) the constructing leaves you with. In reality, tau is the phrase a lot of kaimahi (employees) I meet use to clarify their expertise of inhabiting the constructing.

Ngā punga tuna, a Māui lightshades design, is by David Hakaraia.  Picture: 

Andy Spain

Together with the sophistication that sits behind its structural and practical design, a spread of what is likely to be known as eclectic artworks adorns the partitions and areas, some being constructed into the very material of the constructing. A lot of this has been led by David Hakaraia. David is among the main Māori designers in Aotearoa and his experience shines all through the constructing. Not solely is his work lovely; it is usually practical. The edges of the stairwells are adorned with intricate and delicate design sitting in entrance of Autex to soak up errant constructing sounds — barely gothic-meets-Māori- design-looking lamps that solid constellations to gentle a hall area. The Autex throughout the rooms is gorgeous: sculpted to create heat areas that clearly reference te taiao (pure surroundings) outdoors.

The artwork speaks to magnificence by way of Māori eyes: biophilia in LBC converse. It’s an educator in its personal proper and can proceed to supply inspiration to college students for years to come back, talking to what’s attainable whenever you put money into and have a good time te ao Māori. 

Epilogue

Given the tumult on this planet at present, one may very well be forgiven for considering that any deal with the significance of structure is self-indulgent. The Taxpayers’ Union definitely thought it was, calling this constructing a “pointless self-importance mission”.2 But symbols are necessary — the tino rangatiratanga image or the MAGA slogan, to supply examples from two ends of the spectrum, or, in the event you want some architectural ones, the Berlin Wall or the Beehive. Buildings say one thing about what issues or, equally, what doesn’t matter in our world.

This constructing, then, may nicely be an traditionally important rallying cry, erected at a time when these in energy on this planet seemingly haven’t any care for the way we ‘meet the wants of the current era with out compromising the flexibility of future generations to satisfy their very own wants’ nor look after the continuing issues of inequity that proceed to be confronted by Māori and others in our society. Regardless of, in some ways, the constructing from the skin not trying like an overtly ‘Māori’ constructing (what does that imply anyway? A subject for one more day), this constructing pragmatically, aesthetically and symbolically is actually a stance. It says, being Māori issues and is gorgeous and necessary: worthy of place and area that help Māori to be Māori.

Ngā Mokopuna acknowledges the mana of the wharenui.  Picture: 

Jason Mann

It additionally says that te ao Māori and Māori identification centre and are inseparable from Papatūānuku, the whenua, the wai — all the non-human issues that enable us to be human. The kererū have taken this to coronary heart and kaimahi can now sit floating within the bushes, switching between a view of the newest thesis or budgets to a barely tense kererū ménage à trois made attainable by the wholesome and life-giving surroundings that may be a dwelling pā.

This mission has been, by all accounts, a whānau one. Sure, Hugh, Ewan and Julie (Tennent Brown Architects) have led the gorgeous structure and performance. Nonetheless, the mission wanted Tu Temara’s seminal phrases, Rawinia and te whānau o Te Herenga Waka’s (employees, college students and supporters of the marae) imaginative and prescient and staunchness to ‘persist with the kaupapa’, David’s toi management, Rhonda and Lincoln’s project-management prowess, the builders, engineers and different commerce consultants who put this all collectively, alongside the wealthy whakapapa and teachings from those that have been a part of the Te Herenga Waka journey from day dot to make this the success that it’s. These kaimahi and tauira are very fortunate certainly!

REFERENCES

1 living-future.org/lbc/

2 wellington.scoop.co.nz/?p=157430



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