Cups of tea for a great distance in structure. Contemplate these buildings loquaciously introduced into existence with milk and sugar. Sure, OK, maintain again on the sweetener however, bear in mind, little has modified within the chatting concerned when communities allow constructing. Consider these folks supporting marae, neighborhood halls, sports activities golf equipment and church teams. The kōrero isn’t only a briefing preamble to the job ebook; it’s a part of a narrative. It’s why a teapot comes with a comfortable and why a cup has a saucer. Histories must be saved heat and are perpetually overflowing.
Sam Hartnett
Such lineages appear to congregate round Professor Andrew Barrie and Andrew Barrie Lab’s new tower addition at Saint Luke’s Anglican Church in Auckland. We’re already speaking historic contexts as we arrive through the cemetery that sits behind the church. Barrie carries a small chair, freshly painted shiny orange, and is explaining how Kiwi architects “are likely to get overly obsessive about the bodily context of their work”. True, geographies lengthen properly past what we will see and readily run within the written or the oral, from the celestial to the religious, and, even, maybe, with a very good stir, into the tea leaves themselves. Such “immaterial” readings, as panorama theorist Richard Hartshorne defines,1 aren’t a lot topographic and even pointillistic in connecting the dots, as they’re diarised. We’d like, Barrie explains, “much less right here and extra now”. He’s speaking to the white, cutely formed addition standing by the church but in addition to the branches of our nation’s architectural household tree. “We have to fear much less about our place geographically and extra about our place in time.” Cups of tea on the prepared. Anyone who has seen Barrie’s alarmingly small three-point font may think the element and energy within the response.
There received’t be many architects in Aotearoa who haven’t discovered some connection by way of Barrie. These maps that usually slip out of Structure NZ is perhaps coaster sized however they unfold an architectural family tree. Barrie authors these maps to find, but in addition credit score, an architectural lineage that brings us to the now. Barrie’s personal architectural narrative runs by way of Auckland scholar days to a doctorate on the College of Tokyo and work with Pritzker-winning architect Toyo Ito, to Cheshire Architects and, finally, to a professorship on the College of Auckland and establishing Andrew Barrie Lab.

There’s a clue within the ‘lab’ naming that borrows from the traditions of Japanese architects that each observe and train. Even in case you drive round solely slightly on-line, there’s a telling Andrew Barrie map to journey. Venice Biennale exhibitions in 1991 (awarded the Venice Prize on the “urging” of Arata Isozaki)2, 2012 (at which his and Simon Twose’s Familial Clouds exhibit positioned our architectural improvement as “unavoidably embedded inside a particular place and time”, 3 and 2021 (the place the Studying from Timber exhibit by the College of Auckland showcased Barrie’s “development of timber know-how each in his instructing and his skilled observe”.)4 However there’s additionally big-time buildings in Christchurch’s Cathedral Grammar, with Tezuka Architects, and ongoing work at Oxford Terrace Baptist Church that chase these lineages and applied sciences to the now and into this new work.
Understanding a spot in time permits slightly extra stargazing as we depart the chair outdoors and transfer our dialog inside Saint Luke’s, which, Barrie tells me, was initially accomplished in 1872 by P. F. Martineau Burrows (1842–1920), who went on to turn out to be Chief Draftsman within the Colonial Architect’s Workplace. Later additions had been made by prolific Auckland architect Edward Bartley (1839–1919) and by main Arts and Crafts determine Basil Hooper (1876–1960). “A facet impact of my writing,” Barrie confides, “is a consciousness of my place in architectural historical past, each socially and technologically. Therefore the try to increase the improvements of timber gothic and of the assorted later folks — the Group, John Scott, Miles Warren, and so on. — who themselves drew on these traditions and strategies.” The connection runs visibly again by way of the timber vaulting and tie rods of this little church to the Saint John the Evangelist Church (1847) in Meadowbank, with its externally expressed timber construction. You may think the teacups maybe clinking slightly because the outward expressed construction and eaves had been pared again at Saint Luke’s and, once more, within the subsequent lengthening and widening additions. However, as Barrie factors out, it’s the sort of well-handled work that may have seen every of Burrows, Bartley and Hooper make their respective yr’s architectural almanac, or, I counter, be jested right into a Malcolm Walker-esque back-page cartoon for such eave-less contemporising.

Sam Hartnett
Barrie himself made Walker’s notorious 2014 Le Ronchamp touring New Zealand architect rugby group cartoon5 as “Technical ‘Ah So’ Advisor”. However, at Saint Luke’s, Barrie appears not solely to be within the enjoying group together with Andrew Barrie Lab’s Jade Shum, however to be captain and coach, planning the tour, writing the programme, washing the uniforms and, little doubt, pouring the tea. That’s the place the painted chair matches. Barrie has someway refinished it, and plenty of others, in his free time. We ship the chair to the brand new constructing, which sits politely behind the church and close by an present corridor and a Lady Information constructing. A cup-of-tealong preamble in reaching the now, maybe, however it’s by way of a dedication to know the lineages and complexities of neighborhood work that Barrie undertakes the brand new constructing, which stands as a small tower to assist the church.
To restrict excavation and keep away from century-old panorama partitions and present bushes, this new tower follows the footprint of a worn-out storage the place the choir robes had been beforehand saved. Down low, the brand new constructing homes leasable workplace house. Up high, Barrie expertly stretches a single house and stair by way of three storeys, hiding fireplace doorways alongside the way in which, layering much-needed church workplaces and amenities off landings and even spiring up a bookcase ladder on the apex. All whereas offering a much-needed degree entry and accessible amenities for the church and an exterior seating space beneath a mature tōtara tree. At this level within the discussions, I think about the church planning committee incredulously reaching for the biscuits and leaning in to see what it’d all appear to be. Right here, Barrie speaks of “household resemblance”, stating the brand new constructing was conceived because the “nice, great-grandchild of the previous church, carrying the lineage ahead however fully of its personal time”.

Sam Hartnett
For, as you may now count on, the brand new attracts scale, form and structural typology from St Luke’s.The house, and roofing, runs excessive to low and again to excessive once more. It’s a sectional lineage drawing on the church’s V-shaped dormers. This permits the tower to direct privateness by way of the entry verandah’s vaulted house and uncovered construction as a recent tackle the church’s timber gothic lineage. However the particulars run to Barrie’s personal architectural lineage — significantly Fumihiko Maki, the professor of Barrie’s professor on the College of Tokyo. The tower’s open house planning is slightly Maki’s Hillside Terrace-esque in not prescribing operate.6 The painted handrails which colour-match the partitions are distinctly Japanese of their simplicity. These fibre-cement weatherboards are exactingly laid out to nook and crest with out cowl flashings and be really eaveless. Even the deck spacings below the tōtara are meticulously sized to permit the seeds to fall by way of the gaps.

Sam Hartnett
It’s on this new exterior house that we finally discover ourselves sitting, speaking in regards to the financial complexities for church buildings which might be usually excessive on land however low on spending useful resource. Barrie is fast to level to the enthusiastic working bees and reward the congregation’s personal efforts. Gathering the seedlings from the location, elevating them at house and, later, replanting them to finish the landscaping certainly takes a neighborhood. However there may be additionally a touch that it is going to be Barrie main the waterblasting one coming weekend after which by way of the following cups-of-tea-discussions that assist Saint Luke’s in direction of one other 150 years of service. For, as Barrie concludes whereas inadvertently elevating his cup slightly: “That is how communities get structure.” There’s some well-storied religion in maintaining with the now and, satirically, we’re each consuming espresso. However you received’t want the sweetener; the brand new tower’s all that.
References
1. Richard Hartshorne, “The Nature of Geography, a Essential Survey of Present Thought within the Mild of the Previous”, Affiliation of American Geographers no 29 (1961): 3–4.
2. Tom Daniel, “Familial Clouds, An exhibition by Simon Twose and Andrew Barrie”, Interstices, 2012, interstices. ac.nz/index.php/ Interstices/article/ view/446/433.
3. ibid. 4 Chris Barton, “Reworking timber”, ArchitectureNow, 10.
4. 2020, architecturenow. co.nz/articles/ transformingtimber/.
5. Malcolm Walker, cartoon, Structure New Zealand, March/ April 2014, again web page.
6. Fumihiko Maki, Investigations in Collective Type, 1964. Nurturing Desires: Collected Essays on Structure and the Metropolis. edited by Mark Mulligan Cambridge, Mass.: MIT Press, 2008, p 79.










