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Challenge Particulars:
Location: Istebna, Poland
Photographer: ONI Studio / @onistories
From the Architect: “Plener Istebna contains two picket vacation cottages perched on one in all Istebna’s picturesque hills within the coronary heart of the Silesian Beskids, not removed from the Polish-Czech-Slovak border. The masterminds behind the mission, Tomek and Miłosz, convey complementary backgrounds: Tomek, an avid athlete raised within the mountains, and Miłosz, a self-described ‘metropolis individual’ with a deep connection to the mountains by way of his beloved grandmother. Each agree that Istebna is the right place for a metropolis break. This shared imaginative and prescient gave start to Plener, with the cottages designed by architect Justyna Boduch, who skillfully blended regional architectural parts with fashionable developments and the homeowners” wants. Inside designer Marcin from Mistovia crafted the interiors.
“Every cottage measures slightly below 70 sq. meters (roughly 743 sq. ft) and might accommodate as much as 9 friends. Whereas they share a twin useful format and cohesive inside model, they differ in materials selections, inspiring their names: Stone and Terracotta. Company get pleasure from a spacious lounge with a kitchenette, a toilet, and entry to a terrace with mountain views and a sizzling tub. A picket staircase with plywood-and-glass balustrades results in the higher ground, housing two bedrooms and a toilet. Each cottages function useful metal kitchens and bogs with granite counter tops. Observant guests will discover distinct particulars—akin to ornamental ceramic options within the lintels above the entry doorways—that lend individuality to every cottage.
“The guts of every cottage is undoubtedly the lounge. In Stone, heat is created by way of ample wooden, vivid impartial colours drawn from nature, and a darkish graphite ground manufactured from large-format tiles mimicking black Calacatta marble veins. This gives a strong background for picket furnishings, together with a classic oval desk harking back to Rainer Daumiller’s designs, a mixture of woven-seat chairs in varied shapes (principally secondhand), and a comfy Danish armchair from the Seventies that was as soon as a part of a modular couch. The plywood used for the staircase balustrade reappears on the ceiling and components of the partitions, softening the area and pleasantly contrasting with the uncooked concrete and clay plaster partitions with added straw chaff.
“Terracotta, then again, tells a barely different story. It’s dominated by coloration—a heat, rusty hue of baked clay subtly weaves by way of the inside, from the Italian Fioranese ceramic ground in the lounge to the corduroy-upholstered armchair, couch, and tiles in each bogs. Mistovia’s designers paired this terra-cotta theme with darker-toned furnishings: a spherical walnut desk, a mahogany chest of drawers, and classic chairs with sculpted backs complemented by regionally sourced stools embellished with conventional highland designs. A wall adorned with ornamental range tiles from a small Ukranian workshop evokes the normal tiled stoves attribute of outdated picket houses.
“The furnishings in each cottages comes from varied many years and sources, together with well-liked on-line marketplaces and classic specialists. Some items, such because the Italian travertine desk or the Norwegian chrome armchair with corduroy upholstery, had been sourced from professionals specializing in classic furnishings. Becoming for the Polish-Czech-Slovak borderland, many items have Czechoslovakian roots, akin to a TV stand designed by František Jirák and a high-gloss chest of drawers from the Nineteen Sixties, each made in Tatra Nabytok woodworking factories.”
