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Before & After: Should It Stay or Should It Go? In Praise of Inherited Plants (And Soil, And Concrete)

August 15, 2025
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When Jane Orvis and Steve Hanson purchased their Nineteen Fifties home in Seward Park, Seattle, they stored the unique pink-tiled lavatory. However what in regards to the mid-century shrubbery, organized round a garden—did which have to remain? Most individuals would reply, “completely not,” however Jane, who’s a eager gardener, needed to take a extra closed-loop method and consulted with the panorama architect Jonathan Hallett, of Supernature. On a joint go to to the Seattle Arboretum, a trio of vegetation within the New Zealand backyard caught their consideration: a topiarist’s hebe, a manzanita, and a kiwi tussock grass. That they had all of the “lightness and air and motion” that Jane’s backyard was in want of.

“We caught with the desaturated greens and off-greens typical of New Zealand vegetation,” says Jonathan. “We have been making an attempt to make it really feel extra like a dry backyard, which it’s.” He and Jane additionally planted natives, and vegetation from the coasts of Oregon and Northern California. “The general robust and dry plant palette helped in making a extra climate-adapted backyard that can tolerate Seattle’s more and more lengthy, dry and sizzling summers, with little supplemental irrigation required.”

“Most backyard vegetation used within the Pacific Northwest are borrowed from Japanese or East Coast or British kinds—vegetation like hydrangea that need summer time water, which we don’t have,” says Jonathan. “Seattle has lengthy, sizzling summers with a Mediterranean local weather and we needed to make a backyard that was prepared for that. We additionally tried to offer it loads of evergreen construction, so it feels full and good within the winter.”

Under, Jonathan explains what went into this mid-century panorama makeover.

Earlier than

Above: The previous entrance backyard: A static mixture of formed vibrant greens and pinks in entrance of the mid-century home. “The everyday panorama of the Nineteen Seventies was lumps and garden,” says Jonathan. “We needed to interrupt that up and we knew the garden was all the time going to go. It was thirsty and spongey and wasn’t wanted—and it was taking all of the flat actual property that we needed for making a vigorous counterpoint with vegetation.”
Above: “So many topiaries have been eliminated and but it nonetheless appears like there’s rather a lot,” he says.



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