Structure studio Sam Jacob Studio has refurbished a Sixties constructing on the College of Kent in Canterbury, England, utilizing playful architectural references and shiny colors so as to add layers of “wit and delight” to the prevailing interiors.
The undertaking supplies educating areas for the college’s College of Structure, Design and Planning, which is a part of a campus designed by William Holford that opened in 1965.
Sam Jacob Studio (SJS) regarded to retain what it described because the “gentle brutalist” character of the brick and concrete Marlowe Constructing when reorganising the prevailing inside.
The Marlowe constructing initially housed the college’s physics division, which featured a sequence of mobile places of work on the bottom ground and a top-lit lab house above.
Following an in depth session with college and college students, Jacob and his crew outlined a method that balances areas devoted to particular yr teams and topics with the flexibility to rework and open up the areas.
The crew at SJS stated it was occupied with “what occurs between the logic of structure and the happenstance of artistic working”.
They primarily based their design on quite a lot of well-known artistic areas together with the Bauhaus college and Paul Rudolph’s brutalist Yale Artwork and Structure Constructing, in addition to The Manufacturing facility created by artist Andy Warhol in New York Metropolis.
The architects gutted the prevailing inside to show the concrete ceiling alongside the constructing’s construction and companies, which have been retained because the backdrop for a sequence of minimal interventions focused at fulfilling the house’s new position.
“It is a undertaking that reveals the intrinsic qualities of the Sixties constructing, whereas additionally contrasting a extra fluid modern character,” the studio stated.
“It’s an structure that invitations inhabitation slightly than imposing order, that recognises character, wit and delight as a part of a vital position of structure.”
SJS labored as a lot as potential with the prevailing spatial structure, including only one wall to the bottom ground and two on the primary ground in order that the interiors can evolve to fulfill completely different future necessities.
Fairly than functioning merely as static partitions, the partitions are activated by incorporating shifting parts that can be utilized to adapt the structure of the studios.
Giant sliding doorways with polycarbonate portholes permit among the areas to be separated, whereas pivoting wall sections might be opened or closed relying on the specified structure.
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The partition partitions incorporate full-height pinboards for displaying work. These surfaces got a extra dynamic look by reducing the boards diagonally from nook to nook.
The usual-height pinboards are topped with a shelf, onto which adjustable lights are clamped to permit illumination of the scholars’ work. Mirrored panels above the shelf create the phantasm of a continuing house.
The studio might be customised additional to swimsuit completely different working modes by rearranging freestanding components together with drawing boards, easels, screens and moveable storage items constructed utilizing normal warehouse cabinets.
Present furnishings was reused wherever potential, whereas doorways salvaged throughout the strip-out have been transformed into desks, with yellow laminate items added to fill in holes the place the locks and imaginative and prescient panels have been as soon as positioned.
The inside incorporates a number of express architectural references, in response to SJS, together with a color palette primarily based on Le Corbusier’s 1959 paint system.
“A sequence of columns used to outline thresholds act as 1:1 fashions of, variously, Canterbury Cathedral, Brancusi and James Stirling, like a library of different architectures inhabiting the varsity,” the crew defined.
To stop daylight from overheating the studios, a sequence of colored window blinds was added together with moveable perforated pinboard panels that assist to regulate privateness. This creates a altering topography that animates the constructing’s exterior.
Sam Jacob established his eponymous studio in 2014, having beforehand labored as a part of the unconventional structure collective FAT for over 20 years.
Earlier initiatives by SJS embrace a brand new entrance at London’s V&A museum produced from a whole bunch of glass tubes and a brightly colored studio and workplace for designer Yinka Ilori.
The images is by Timothy Soar.
