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West Chelsea, recognized for its wealthy artwork scene and historic appeal, is residence to a surprising house that blends previous and current. Designed by Omar Aqeel of Strategies of Meeting, this pied-à-terre serves as an city retreat for a shopper who travels from Sag Harbor. The result’s a curated house that displays Seventies New York whereas providing fashionable consolation and timeless magnificence.

A Love Letter to Artwork and Heritage

For Omar, this challenge was private. His mom, Susan Aqeel, all the time dreamed of a house crammed with artwork. Within the Nineteen Sixties, she lived in SoHo, mingling with artists like Louise Nevelson and Jamie Wyeth. Now retired, she divides her time between coasts and needed a metropolis escape. She trusted Omar to create an area that mirrors her unbiased spirit and love of design.

Elevating the Residence’s Architectural Potential

The house, situated in an 1854 Anglo-Italianate townhouse, featured ornate stone fireplaces and tall French door home windows. Nonetheless, its kitchen, hallway, and loo wanted a full renovation.

A serious transformation occurred when Omar’s crew eliminated 8-foot drop ceilings, revealing an extra three ft of house. This modification made the house really feel extra open and stuffed the rooms with pure gentle.

A Minimal But Expressive Palette

The house’s surfaces function Colour Atelier Bone lime wash and Farrow & Ball’s All White. These decisions create a smooth, inviting environment. Additionally they present the right backdrop for Susan’s artwork assortment, a mixture of up to date and classic works from shut associates and previous relationships.

The oak flooring, refinished in a lighter hue, improve heat and cohesion. A reveal trim alongside the perimeter provides a chic architectural element. The general impact is each grounding and galvanizing. It’s a sanctuary the place Susan can calm down after a day within the metropolis’s artwork scene.

The ‘Salon’: A Gallery-Impressed Dwelling Room

Omar designed the lounge as a casual gallery impressed by Parisian salons. These areas inspired dialog and celebrated artwork. Towards a crisp white backdrop, daring assertion items create stability.

Cherry-red 1978 Don Chadwick membership chairs add vibrant power.

A monumental Evan Paul English portray serves as a focus.

A Brutalist-style nero black marble library desk blends historical past with modernity.

The up to date Astep VV Cinquanta Suspension lamp provides a sculptural contact.

Timeless Magnificence with a Private Contact

his house serves many functions. It’s a retreat, a classy venue for post-gallery gatherings, and a inventive workspace. Omar’s considerate design decisions mirror his deep understanding of Susan’s character and passions.

“I needed this challenge to be a love letter to how I see her: daring, elegant, unbiased, and defiant of expectation,” Omar shares.

The ultimate end result honors Susan’s previous and celebrates her current. It’s a true reflection of artistry, nostalgia, and up to date sophistication.