The Arkansas modernist’s 1956 Brothers Home pays homage to his famed mentor Frank Lloyd Wright. Who higher to recuperate it from disrepair than Jones’s personal apprentice?
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In 2021, Fayetteville, Arkansas, architect David McKee and his shoppers had been ending up a renovation after they approached him with an uncommon query. They’d purchased a close-by Fay Jones–designed house to protect it, however the 1956 relic, an early fee for the prolific Arkansas modernist, was nearly a teardown, with a sagging roof, water harm, and sufficient holes within the ceiling to provide a gang of raccoons easy accessibility. Plunging into the restoration now felt too overwhelming. Did David know anybody who may wish to purchase the house and revive it?

The 1956 Richard D. and Alma Brothers Home was an early fee for Arkansas architect Fay Jones (pictured proper within the 1988 Mildred B. Cooper Memorial Chapel he designed with Maurice Jennings). Jones is the one one in all Frank Lloyd Wright’s apprentices to obtain the AIA Gold Medal. His 1980 Thorncrown Chapel (not pictured) was acknowledged by the AIA because the fourth most vital construction of the twentieth century.
From left: Courtesy College of Arkansas Particular Collections; picture by Ed Lallo/Getty Photographs
The native architect and principal of an eponymous agency had loads of causes to wish to discover the appropriate purchaser. David labored with Jones for 16 years till the architect’s 1997 retirement. He began as Jones’s apprentice within the ’80s after graduating from the College of Arkansas, the place Jones had been one of many first 5 graduates from the structure program. Jones himself was an apprentice of Frank Lloyd Wright. He joined Wright’s Taliesin Fellowship and have become a professor on the College of Arkansas in 1953, and all through the ’50s and early ’60s was the go-to architect for College of Arkansas college homes. His Richard D. and Alma Brothers Home, designed for the college’s prestigious Schola Cantorum founder, and his spouse, an opera singer and professor, blends Jones’s natural aesthetics with a rarity in his work: traits based mostly on Wright’s Usonian rules. Historic however in disrepair, the house’s worth lay primarily in its acre-plus website simply blocks from the college’s Razorback Stadium.
As a part of the latest restoration, the gable roof was changed for the primary time within the house’s 66-year historical past, and the chimney was rebuilt (left). Architect David McKee (proper) designed a metal balustrade to exchange the unique balcony’s wooden railings for a previous proprietor within the late 2000s.
From left: Courtesy College of Arkansas Particular Collections; picture by Liz Sanders
David and his spouse, Alice, contemplated potentialities for potential consumers till their 33-year-old son Tyler surprised them by saying, “We must always purchase it!” He proposed he and his spouse, Ashley, go in on a joint buy along with his mother and father to revive the Brothers Home as a short-term rental. The concept made sense: David knew the unique house owners from his college days and had managed transitions between later consumers as a part of his work with Jones. For years, David designed and renovated properties the “Fay Approach,” as in, based on his mentor’s model and strategy. Plus, he’s obsessed with preserving Jones’ legacy and is the one of his associates nonetheless dwelling. “I believe the home wished us to be there,” Alice says.
Jones designed the structure to include the three main areas of Usonian properties—a dwelling house encompassing a library and music room, an open-plan kitchen and eating space, and small bedrooms and baths alongside a slender hall. A fieldstone chimney on the coronary heart of the home is rotated 45 levels to the horizontal roofline, aligning it with the cardinal instructions. The unique gold foil ceilings could have been a nod to eccentric modernist Bruce Goff, who employed Jones to show on the College of Oklahoma within the early ’50s, launched him to Wright, and have become his different nice inspiration.
The McKees had entry to Jones’s unique designs for the venture, together with his drawings for the 1968 transform, that are mirrored above with the updates made by the McKees, such because the kitchen wall that was closed to regain the third bed room.
Courtesy Ashley McKee
See the total story on Dwell.com: Icons Solely: Fay Jones’s Former Protégé Revives a Uncommon Relic Influenced by FLW’s Usonians