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A Vision in Stone: William Edmondson’s Masterpieces Command Top Prices at Auction

February 7, 2025
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William Edmondson’s “Girl with a Bustle,” a carved limestone sculpture, 13 3/8 in. tall by 5 in. extensive, depicts a standing girl with well-defined, shoulder-length hair carrying a gown or apron with a bustle and quick practice within the again, seen footwear and a necklace or banded collar. She carries a small purse in her proper hand. The piece offered for $268,400 at Case Auctions.

Case Auctions

Case Auctions held the primary day of its Winter Fantastic Arts & Vintage public sale on Jan. 25. Many tons got here from estates and museum collections in Tennessee, with the outcomes highlighting one of many state’s biggest artists, William Edmondson (1874-1951). The highest lot, promoting for $268,400, was Edmondson’s “Girl with a Bustle” limestone sculpture—one other sculpture of his, a big backyard determine formed like a teacup, offered for $43,920.

William Edmondson’s giant limestone backyard sculpture, a teacup with a carved squared deal with, 8 3/4 in. h by 18 in. w, offered for $43,920.

Case Auctions

Edmondson’s sculptures have the natural shapes, easy traces, and expert craftsmanship of recent design, and his standing as a self-taught artist vegetation his work within the class of outsider artwork, whose enchantment retains rising. His life story provides curiosity, too. Born to former slaves, Edmondson labored in Nashville for a railroad, then as a hospital orderly. In 1931, throughout the Nice Melancholy, he started carving limestone after what he described as a divine imaginative and prescient. His early works had been utilitarian, like tombstones and birdbaths. He quickly expanded into ornamental carvings of topics like native individuals, Biblical figures, and animals.

A Louise Dahl-Wolfe signed silver gelatin {photograph} of sculptor William Edmondson offered for $4,000.

Case Auctions

It wasn’t simply works by Edmondson that offered on the public sale; a number of pictures of him offered as effectively. Two images of him by Louise Dahl-Wolfe offered, every for over $4,000. Though Dahl-Wolfe could also be higher recognized for her trend images, her images of Edmondson in his workyard proved to be influential in spreading Edmondson’s fame past Nashville, particularly when she advocated for him and his work to Alfred H. Barr Jr., founding director of the Museum of Trendy Artwork in New York. In 1937, Edmondson had a solo exhibition at MoMA, making him each the primary Black and first self-taught artist to take action. 

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