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A83 stages a retrospective on Lebbeus Woods

June 18, 2026
in Architecture
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A Lebbeus Woods exhibition is now on view at a83 in Decrease Manhattan. The exhibition, titled Undercurrents, shows two tasks by Woods: Turbulence (1991–92) and The Storm (2001–02).

Woods was born in 1940 and died in 2012. He taught at The Cooper Union for many years, and is thought at present for his fantastical and significant drawings of postwar structure. 

For the exhibition a83 collaborated with the Property of Lebbeus Woods. The Irwin S. Chanin Faculty of Structure Archive was additionally a companion.

The exhibition options drawings, course of sketches, images of Woods at work, and extra. (Michael Vahrenwald)
A drawing in the Turbulence series
A drawing within the Turbulence sequence (Courtesy Property of Lebbeus Woods)

Drawings from the Turbulence sequence are situated in a83’s entrance gallery. The Storm drawings are positioned to the rear. 

Two vitrines with drawings are positioned within the middle of the entrance gallery house. The vitrines comprise course of sketches, images of Woods at work, and exhibition ephemera.

Extra drawings from the Turbulence sequence line the partitions. The backroom restages The Storm, a undertaking Woods displayed at The Cooper Union’s Houghton Gallery in 2002.

Students inside The Cooper Union’s Houghton Gallery circa 2002 staging The Storm
College students inside The Cooper Union’s Houghton Gallery circa 2002 staging The Storm (Olivia Valentine/Courtesy The Cooper Union Structure Archive)

The Storm at Houghton Gallery consisted of pink picket rods fabricated by Shandor Hassan and assembled by Alexander Gil and Amir Shahrokhi, suspended inside a post-tensioned cable system.

Within the gallery’s backroom pink picket rods line partitions that have been painted black.

A big black field within the middle of the backroom incorporates a reconstructed scale mannequin of The Storm exhibition at The Cooper Union’s Houghton Gallery that guests can peek into.

a scale model of The Storm
The backroom incorporates a scale mannequin of The Storm viewers can peek inside.(Michael Vahrenwald)
The mannequin makers made a exact duplicate of Houghton Gallery. (Michael Vahrenwald)

Grouped collectively, guests are immersed in drawings and fashions that exhibit Woods’s curiosity in conveying “constructed multiplicity,” per a curatorial assertion. 

The exhibition posits “an in depth studying of Woods’ constructed fields” and divulges “how conceptual mills can translate throughout mediums,” curators stated. Woods’s works contact on labor and cultural and environmental programs. 

(Courtesy Property of Lebbeus Woods)

On September 6, a83 will launch a brand new e-book about Woods that Clara Syme and Owen Nichols revealed in collaboration with AJ Artemel and the Property of Lebbeus Woods, led by Aleksandra Wagner.

Undercurrents is on view by September 10.



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