Every so often I stroll as much as Giliarey from Torgnon, a village in Valtournenche (Valle d’Aosta, Italy). On the finish of the hike, 2150m circa, yow will discover the Giliarey Chapel, “cappella d’Alpeggio” constructed and financed by the Gorret household in 1866. What strikes me everytime is, other than the article and its modest particulars per sé, the proper positioning of it, nearly because the gem on a hoop, finishing the slope. This selection, certainly additionally a matter of safety from avalanches because of the “protuberance” that might make the “rock stampede” go previous its sides, generates an area that gravitates across the chapel. As soon as arrived on the “gem” you’re actually welcomed in a flat area with the virtually octagonal quantity within the center and skinny rock sheets (Lose in native dialect, the identical ones used for roofing) caught vertically within the floor to implement the flat perimeter across the chapel.
It’s quite simple and purely vernacular (I needed to put “unknown architect because it’s within the requirement of the neighborhood), but it’s extra architectural than many effectively designed mountain buildings I’ve seen. I discover a lot to be taught from the modest perfection of examples like these. The terrain gesture was all the time there, but such a small object positioned in the precise spot, made it stand out. I come from a faculty by which the relation with territory and panorama is important, and but there they all the time advised me “there’s architects that STAY within the panorama, and there’s architects that BUILD the panorama”, examples like these make me perceive what the second a part of this phrase means.
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